© 2019 by LULAPENA

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BIO

With only 2 albums released since 1998, the reclusive Portuguese singer, composer, guitarist and poet has achieved a rare feat: gathering a stream of devoted followers worldwide, a kind of international secret society whose ranks grow with each of her too rare appearances.

Lula Pena, born and raised in Lisbon, is a cosmopolitan Portuguese: a woman of the wide world! Singer-poet, mysterious woman that hides behind the guitar to best surprise us. A unique, deep voice, inspired by multiple references, playing with borders and with the nest poets. Her first album, Phados, released in 1998, won her immediate acclaim. The deep, commanding yet sensitive voice; the natural blend of fado roots with colours of Portuguese folk music, French chanson, Cape Verdean morna, Brazilian bossa nova; the stripped-down delivery of voice and guitar; all heralded the arrival of a major new talent. And then she disappeared again, only reappearing some 12 years later with the release of her second album, Troubadour, a collection of stories of passion and pain, mirroring her personal journey as existentialist musician and serendipitous poet. In the past few years she has remained reassuringly present, performing in Cape Verde, Brazil, Chile and around Europe, occasionally appearing in duo with Guinea-Bissau multi-instrumentalist, Mu Mbana, or the New Zealand saxophonist, Hayden Chisholm, but usually, on her own and in her own time.

Lula Pena follows her own rules, not only in her career but in her very music. Her voice is haunting and moving, her guitar style unique, her approach deeply emotional yet also conceptual. She has a quasi-shamanic way of becoming one with her instrument when performing these long, rambling pieces, during which wood, string, words, human body, breath and voice all merge into a single, supernatural fabulous beast.

Lula Pena’s music is a living organism. It sails on a strange ocean, bordered by continents called folk blues, flamenco, French chanson, phado (that’s how she likes to spell it), bossa nova and others, grazing them all and leaving none intact.

Este é um repertório aberto e livre, um corpo vivo que se comporta de maneira diferente em cada performance. Cada performance é uma peça única, na qual as várias canções e fragmentos se podem relacionar de maneiras diferentes, consoante o humor, a inspiração, a interacção entre o público e uma entidade temporária composta pela junção da voz com a guitarra. A sequência deste álbum é apenas uma possibilidade linear e encorajo o ouvinte a experimentar ordens diferentes, tal como eu faço em concerto.

Archivo Pittoresco refere-se a inúmeras coisas, a mais importante é o “processo” de criação - baseia-se no movimento de pintores do século XIX, que decidiram sair dos seus ateliers e explorar paisagens orgânicas, ruínas, vistas assimétricas - eu queria explorar o mesmo caminho na música, vagueando entre diferentes línguas.

Gosto de brincar com o destino, enquanto sorte e destino enquanto ponto de chegada ou objectivo. Estou mais interessada em descobrir o que as coisas têm em comum do que o que as distingue. Procuro chegar ao cerne do que constitui todos os diferentes tipos de música - à medula. Há uma verdade escondida que quero encontrar. A simplicidade da voz, cordas e um corpo ressonante ajudar-me-ão a descobri-la, pelo menos para mim mesma. Espero que esta experiência subtil estimule a percepção dos outros.

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